Available on Netflix


Suggested Alternate Title: Queen Bitch Amazon

  • Girly Groove Rating: 8/10
  • Scares: 7/10
  • Moderate Body Horror, High Low Budget/Good Script/One Set,
  • Genre: Psychological Thriller (sprinkled with some Slasher)


I watched Hush after it was heavily recommended by multiple members of a horror junkie group to which I belong, once I discovered it was on Netflix. Hush was released in 2015 and I’m pretty sure I was vaguely aware of its new-ness — I had originally thought it was only available in theaters or Redbox or something, and had kind of ignored comments the first time around under the assumption I wouldn’t be able to watch and review it anytime soon. It was a pleasant surprise to realize the film was already on Netflix. Hush was the first of two I watched that night, so if I keep on track, expect a review of The Lazarus Effect coming up sometime soon too.

My friends were on point.

Speaking on a “feminism” scale, if I must, Hush strikes a solid, subtle passing mark. The “Low Budget/Solid Script” law totally proves itself here: Hush has a cast of 4 confined to one set, a house. There is a pretty strict parallel between restrictions such as these and well-written scripts, you know, the kind that tells you a patient’s backstory in dialogue which actually feels natural, and not like an excuse for a cut to another scene which allows a lazy or bad script-writer to “tell” all sorts of things without actually trying to tell any of them (that’s the producer’s/director’s/scene setter’s job!) the way one has to for the story to be good. As script are, approximately, 90% dialogue, a scriptwriter who tries not to use it seems, at a minimum, lazy.Hush is not this case. It should also be mentioned here that it passes the Bechtel test relatively well, especially considering it’s a cast of 4, 50/50 sex split, and two characters are knocked out of play fairly quickly.

I liked Hush for a couple of reasons besides the solid script. Plotwise, it’s one of the most direct, logical, and believable stories I have watched in horror recently. I think this is also a result of scriptwriter limitation – this film clearly didn’t have the budget for anything CGI, anything pretending to be high-tech, anything even pretending to be expansive. It had to be short, tight, specific, and without any real handwaving. This really worked for Hush on pretty much every level. I encourage other screenwriters, who of course I do not honestly expect to read this blog, to practice similar limitations. It forces the story to work. There’s a point where the movie threatens to get disappointing and, instead, it doesn’t. The choices characters make absolutely follow, which is not only good in and of itself, but makes the movie relatable – maybe it couldn’t happen to you, but it could have happened to someone your friend knows.

I didn’t absolutely love Hush, but that has little to do with the movie, and more with me. It gets a bit gory for my tastes at points – but it’s effective and reasonable, not really gratuitous. While the movie is clever, it isn’t overly so.


2 thoughts on “HUSH

  1. Pingback: DON’T BREATHE | hooked on horror

  2. Pingback: THE INVITATION | hooked on horror

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